ÆÁÅçʸÍýÂç³Ø | Web¥·¥é¥Ð¥¹¥·¥¹¥Æ¥à |
TOP | Ìá¤ë | |
ÆÁÅçʸÍýÂç³Øû´üÂç³ØÉô |
²ÊÌÜÈÖ¹æ | 14125 | ôÅö¶µ°÷̾ | °æ¼¡¡¹¬»Ò | ñ°Ì | 1ñ°Ì |
---|
²ÊÌÜ·² | ÀìÌç | ɬ½¤¡¦ÁªÂò | ÁªÂò | ³«¹Ö´ü | Á°´ü | ÂоÝǯ¼¡ | 3ǯ |
---|
¼ø¶È³µÍ× |
---|
³Ø³°¤Î»ÜÀߤÇÃÎŪ¾ã¤¬¤¤¤äASD¤ò¤â¤ÄÊý¤òÂоݤˤ·¤¿¡¢¾¯¿Í¿ô¤Î¥°¥ë¡¼¥×¥»¥Ã¥·¥ç¥ó¤òÁ°´ü7²ó¤ª¤³¤Ê¤¦¡£¤Þ¤¿¡¢¼Â½¬¤Î¤¿¤á¤Î»öÁ°¡¦»ö¸å»ØƳ¤â´Þ¤à¡£2ǯ¼¡Æ±ÍÍ¡¢¡ÖAMTAÎ×¾²¼Â»Ü´ð½à¡ÊAMTA Standards of Clinical Practice¡Ë¡×¤Ë±è¤Ã¤Æ¡¢¥¯¥é¥¤¥¢¥ó¥È¤Î¼õ¤±Æþ¤ì¤«¤é¥»¥é¥Ô¡¼¤Î½ª·ë¤Þ¤Ç¤ò·Ð¸³¤¹¤ë¡£CBMT Board Certification Domains¤ËÌÀµ¤µ¤ì¤¿¡¢²»³ÚÎÅË¡»Î¤Î¼ÂÁ©¡Ê»Å»ö¡¢Ç½ÎϡˤˤĤ¤¤Æ¤âÍý²ò¤·¡¢¼ÂÁ©¤¹¤ë¡£²»³ÚÎÅË¡ÏÀÎ×¾²·¡¦¸¤Ç³Ø¤ó¤À¡¢¸¦µæ¡ÊResearch¡Ë¤È¥»¥ª¥ê¡¼¡ÊTheory¡Ë¤È¼ÂÁ©¡ÊClinical Practice¡Ë¤ò·ë¤Ó¤Ä¤±¡¢Best Practice¤òÄ󶡤Ǥ¤ë¤è¤¦ÅØÎϤ¹¤ë¡£¤Þ¤¿¡¢¥¢¥»¥¹¥á¥ó¥È¤Ë¤Ä¤¤¤Æ¿¼¤¯³Ø¤Ó¡¢¤Þ¤¿¥ê¥µ¡¼¥Á¤ò³èÍѤ·¡¢Evidence-Based Music Therapy Practice¡Ê²Ê³ØŪº¬µò¤Ë´ð¤Å¤¯²»³ÚÎÅË¡¼ÂÁ©¡Ë¤ò¿ë¹Ô¤Ç¤¤ë¤è¤¦ÅØÎϤ¹¤ë¡£ |
ÅþãÌÜɸ |
1. ¶µ°÷¤Î±ç½õ¤ò¼õ¤±¤Ê¤¬¤é¡¢ÃÎŪ¾ã¤¬¤¤¤äASD¤Ê¤É¤Î¾ã¤¬¤¤¤ò¤â¤ÄÀ®¿Í¤Î¥¯¥é¥¤¥¢¥ó¥È¤òÂоݤȤ·¤¿²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó¤ò¥ê¡¼¥É¤¹¤ë¡£¥í¡¼¥Ð¥Ã¥«¡¼Çî»Î¤Î¾§¤¨¤ë¡¢Moment-to-Moment¤Ë¥»¥é¥Ô¥¹¥È¤È¥¯¥é¥¤¥¢¥ó¥È¤Î¤ä¤ê¤È¤ê¤ò¤ª¤³¤Ê¤¦¡£¡Ô»×¹Í¡¦È½ÃÇ¡Õ¡Ôµ»Ç½¡¦É½¸½¡Õ 2. ¤Þ¤¿¡¢¤³¤Î¥»¥Ã¥·¥ç¥ó¤Î·Ð¸³¤ò¤È¤ª¤·¤Æ¡¢²»³ÚÎÅË¡¤Î´ðÈפȤʤ롢¼£ÎÅů³Ø¡¢¥¢¥×¥í¡¼¥Á¡¢¥á¥½¥Ã¥É¡¢¥Æ¥¯¥Ë¥Ã¥¯¤ò½¤ÆÀ¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ 3. AMTAÎ×¾²¼Â»Ü´ð½à¡ÊAMTA Standards of Clinical Practice¡Ë¤Ë¤·¤¿¤¬¤¤¡¢ÃÎŪ¾ã¤¬¤¤¤äASD¤ò¤â¤Ä¥¯¥é¥¤¥¢¥ó¥È¤Î¼õ¤±Æþ¤ì¡¢¥¢¥»¥¹¥á¥ó¥È¡¢¥×¥í¥°¥é¥à¥×¥é¥ó¡¢¼Â»Ü¡¢¥É¥¥å¥á¥ó¥Æ¡¼¥·¥ç¥ó¡¢½ª·ë¤Þ¤Ç¤Î³Æ¥¹¥Æ¥Ã¥×¤ò¿ë¹Ô¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ¡Ô»×¹Í¡¦È½ÃÇ¡Õ 4. CBMT Board Certification Domains¤Î³Æ¥¹¥Æ¥Ã¥×¤ËÌÀµ¤µ¤ì¤¿¡¢³ÆÃʳ¬¤ÇɬÍפȤµ¤ì¤ë²»³ÚÎÅË¡»Î¤Î¼ÂÁ©¡Ê»Å»ö¡¢Ç½ÎϡˤˤĤ¤¤ÆÍý²ò¤·¡¢¤½¤ÎǽÎϤ¬¿È¤Ë¤Ä¤¤¤¿¤«³Îǧ¤¹¤ë¡£ 5. ¥¢¥»¥¹¥á¥ó¥È¤Ë¤Ä¤¤¤ÆÃ챤ò¤â¤Á¡¢¤½¤Î½ÅÍ×À¤òÍý²ò¤¹¤ë¡£½ñÀÒ¡¢Ê¸¸¥¤ò¸¡º÷¤·¡¢´û¸¤Î¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤Î¤Ê¤«¤«¤é¥¯¥é¥¤¥¢¥ó¥È¥°¥ë¡¼¥×¤ËºÇ¤âŬÀڤʤâ¤Î¤òÁªÂò¤·¡¢¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ò¼Â»Ü¤¹¤ë¡£¤½¤Î·ë²Ì¤«¤é¡¢¥´¡¼¥ë¤ÎÁªÄê¤ò¤ª¤³¤Ê¤Ã¤¿¤ê¡¢Pre&Post-Test¤È¤·¤Æ¸ú²Ì¤òÈæ³Ó¤·¤¿¤ê¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ¡Ô»×¹Í¡¦È½ÃÇ¡Õ |
¼ø¶È·×²è | ¼ø¶È·ÁÂÖ | ¼ø¶È»þ´Ö³°³Ø½¬ | |
---|---|---|---|
¡Ú1¡Û | ²ÊÌܤȥ³¡¼¥¹¥¹¥±¥¸¥å¡¼¥ë¤ÎÍý²ò ¡ü¼Â½¬¤È¼Â½¬»ØƳ ¡ü¼Â½¬¤¬»Ï¤Þ¤ë¤Þ¤Ç¤Î¼Â½¬»ØƳ¥¹¥±¥¸¥å¡¼¥ë ¼Â½¬¥µ¥¤¥È¤ÎÏ¢Íí ¡ü¾ì½ê¡¢²ó¿ô¡¢¥Ý¥Ô¥å¥ì¡¼¥·¥ç¥ó Hello Song¤Î¥®¥¿¡¼¤ÎÍøÍÑ ¡ü2018³Ø3¤È°æ¼¤¬¥¢¥ì¥ó¥¸¤·¤¿Hello Song¤Î¾Ò²ð Evidence-Based Music Therapy Practice ¡üAMTA Definitions ¡¦MT ¡¦EBMTP ¡üWheeler, Research and Evidence-Based Practice (p. 10) | ¹ÖµÁ¤È±é½¬ | ½ÕµÙ¤ß¤Ë¤ª¤³¤Ê¤¦»öÁ°³Ø½¤ ✔¥É¥¥å¥á¥ó¥ÈÆâOffice¥«¥¹¥¿¥à¥Æ¥ó¥×¥ì¡¼¥È¤ÎWord Template¡Ê³ÈÄ¥»Ò¤Ïdotx¡Ë¤ÎºîÀ®¤ò¤Þ¤À¤·¤Æ¤¤¤Ê¤¤¿Í¤Ï¤¹¤ë¡£¸«½Ð¤·¤Î¤¿¤á¤Ë¥¹¥¿¥¤¥ë¤ÎºîÀ®¤â¤·¤Æ¤ª¤¯¡£¡Ê45ʬ¡Ë ¡¦¥×¥í¥°¥é¥à¥×¥é¥ó: 10pt¡£ ¡¦¥»¥Ã¥·¥ç¥ó¥×¥é¥ó: 11pt¡£ ✔¥®¥¿¡¼¤Î´ðËÜŪ¤Ê¥³¡¼¥É¤òÉü½¬¤·¤Æ¤ª¤¯¡£¡ÊËèÆü10ʬ¡Ë ✔Intro Book p. 91~ MT¤È¾Úµò¤Ë´ð¤Å¤¤¤¿¼ÂÁ©¡ÊEBP¡Ë¤òÆɤࡣ ✔AMTA¤Î¥µ¥¤¥È¤«¤é MT¤ª¤è¤ÓEBMTP¤ÎÄêµÁ¤ò¸¡º÷, ¥×¥ê¥ó¥È¥¢¥¦¥È¤·¡¢Æɤó¤ÇÍý²ò¤¹¤ë¡£¡Ê15ʬ¡Ë ✔Wheeler¤ÎChap.1 Music Therapy as a Profession¤ÎResearch and Evidence-Based Practice p.10¤òÆɤó¤ÇÍý²ò¤¹¤ë¡£¡Ê45ʬ¡Ë ✔CBMT Board Certification Domains¤ò¸¡º÷¡¢ I Referral, Assessment, and Treatment Planning 40 items¤òÆɤó¤ÇÍý²ò¤¹¤ë¡£¡Ê60ʬ¡Ë »ö¸å³Ø½¤ ✔Word Template¤ÎºîÀ®¤¬¾å¼ê¤¯¤Ç¤¤Ê¤«¤Ã¤¿¿Í¤Ï¡¢´°À®¤µ¤»¤ë¡£¡Ê30ʬ¡Ë ✔¼ø¶È¤ò¿¶¤êÊ֤ꡢEBPMTP¤È¤½¤Î½ÅÍ×À¤òÍý²ò¤¹¤ë¡£¡Ê60ʬ¡Ë |
¡Ú2¡Û | ¥®¥¿¡¼¤ÇHello Song¤òÃƤ¯ EBMTP ¡üBaker, Evidence-based practice in music therapy ¡üWhat is Evidence-Based Practice? | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔¥®¥¿¡¼¤ÇHello Song¤òÃƤ±¤ë¤è¤¦¤Ë¤¹¤ë¡£¡ÊËèÆü10ʬ¡Ë ✔Baker¤ÎEBP in MT¤ÎWhat is EBP?¤òÆɤߡ¢OD¤Î¥Ï¥ó¥É¥¢¥¦¥È¡ÊHO¡Ë¤Ë½ñ¤¹þ¤à¡£¡Ê90ʬ¡Ë »ö¸å³Ø½¤ ✔¥®¥¿¡¼¤ÇHello Song¤òÃƤ±¤ë¤è¤¦¤Ë¤¹¤ë¡£¡ÊËèÆü10ʬ¡Ë ✔¼ø¶È¤ò¿¶¤êÊ֤ꡢBaker¤ÎÍ×Ìó¤ò¤¹¤ë¡£¡Ê90ʬ¡Ë |
¡Ú3¡Û | EBMTP ¡üBaker, Evidence-based practice in music therapy ¡¦EBP Process | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔Baker¤Î³¤¡¢EBP Process¤òÆɤߤʤ¬¤é¡¢HO¤Ë½ñ¤¹þ¤à¡£¡Ê120ʬ¡Ë »ö¸å³Ø½¤ ✔¼ø¶È¤ò¿¶¤êÊ֤ꡢBaker¤ÎÍ×Ìó¤ò¤¹¤ë¡£¡Ê90ʬ¡Ë |
¡Ú4¡Û | ¼Â½¬1: ¾¿¦¼ï¤«¤é¤Îʹ¤¼è¤ê¥¢¥»¥¹¥á¥ó¥È | ¼Â½¬ | »öÁ°³Ø½¤ ✔¾ðÊó¼ý½¸¤ò¸úΨŪ¤Ë¤ª¤³¤Ê¤¦¤¿¤á¤Î¥·¡¼¥È¤òºîÀ®¤¹¤ë¡£¡Ê90ʬ¡Ë »ö¸å³Ø½¤ ✔¾¿¦¼ï¤«¤éʹ¤¼è¤Ã¤¿¾ðÊó¤òÀ°Íý¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¾ðÊ󤫤顢¥´¡¼¥ë¤ª¤è¤Ó¥¢¥»¥¹¥á¥ó¥È¥¨¥ê¥¢¤òõ¤ë¡£¡Ê45ʬ¡Ë |
¡Ú5¡Û | ²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È ¡üCBMT Board Certification Domains A. Referral B. Assessment C. Interpret Assessment Information and Communication Results ¡üThe Importance of Assessment ¡¦Roll of Assessment within the Treatment Process ¡¦Isenberg-Grzeda, Roll of Assessment within the Treatment Process ¡¦¥Ü¥¯¥·¥ë¡Ê2003¡Ë, ¥¢¥»¥¹¥á¥ó¥È½ñ¼°¤Î¥Ç¥¶¥¤¥ó ¡¦Chase (2002), Reasons for Assessment 1. Accountability 2. Justification for Services 3. Credibility ¡üChase (2002) & Isenberg-Grzeda (1988), Choosing an Assessment 1. Objectives 2. Relationship with Music 3. Theoretical Orientation 4. Population 5. Institution 6. Beliefs about Normal and Health | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔CBMT¤ÎA,B, &C¤Î¥É¥á¥¤¥ó¤òÉü½¬¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥Ü¥¯¥·¥ë¡Ê2003¡Ë¤Î²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È½ñ¼°¤Î¥Ç¥¶¥¤¥óp.25-28¤òÆɤࡣ¡Ê10ʬ¡Ë ✔OD¤ÎIsenberg-Grzeda p. 156¤ÎÂè2¥Ñ¥é¥°¥é¥Õ¤«¤ép. 157¤ÎCohen¤Î¥Ñ¥é¥°¥é¥Õ¤Þ¤Ç¤òÆɤߡ¢HO¤Ë½ñ¤¹þ¤à¡£¡Ê30ʬ¡Ë ✔Chase(2002)¤ÎReasons for Assessment¤òÆɤߡ¢HO¤Ë½ñ¤¹þ¤à¡£¡Ê45ʬ¡Ë ✔Chase(2002)¤ÎChoosing an Assessment¤òÆɤߡ¢HO¤Ë½ñ¤¹þ¤à¡£¡Ê45ʬ¡Ë »ö¸å³Ø½¤ ✔CBMT¤ÎA,B,&C¤Î¥É¥á¥¤¥ó¤òÉü½¬¤¹¤ë¡£¡Ê30ʬ¡Ë ✔Éü½¬¤Î¤¿¤á¤ÎÀßÌä¤ËÅú¤¨¤ë¡£¡Ê60ʬ¡Ë |
¡Ú6¡Û | ²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È ¡üLipe, Music therapy assessment ¡¦Creative Tension between Art & Science ¡¦MT Assessment in Professional Documents ¡¦Definitions, Purposes, and Types of Assessments ¡¦Terms and Concepts Associated with Psychometrics ¡¦Assessment in Music Therapy Practice ¡¦Toward Evidence-Based Assessment in Music Therapy ¡ü¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤ÎÁªÂò | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔Lipe¤Îp.77 MT Assessment in Professional Documents¤Þ¤Ç¤òÆɤߤʤ¬¤é¡¢¥Ï¥ó¥É¥¢¥¦¥È¤Ë½ñ¤¹þ¤à¡£¡Ê90ʬ¡Ë ✔¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤ò¸¡º÷¤·¡¢¾¯¤Ê¤¯¤È¤âŬÅö¤È»×¤ï¤ì¤ë¤â¤Î¤ò3¤Ä¾Ò²ð¤¹¤ë¡£¥×¥í¥È¥³¡¼¥ë¤ò°õºþ¤·¤Æ¡¢»ý»²¡£ »ö¸å³Ø½¤ ✔¥°¥ë¡¼¥×¤ÇµÄÏÀ¤·¡¢µó¤²¤é¤ì¤¿¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤Î¤Ê¤«¤«¤é¡¢¤³¤Î¼Â½¬¤Ç¤â¤Á¤¤¤ë¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤ò·èÄꤹ¤ë¡£¡Ê30ʬ¡Ë ✔¥¢¥»¥¹¥á¥ó¥È¹àÌܤȥץí¥È¥³¡¼¥ë¤òÍý²½¤¹¤ë¡£¡Ê60ʬ¡Ë |
¡Ú7¡Û | ²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È ¡üÁªÂò¤·¤¿¥Ä¡¼¥ë¤Î¥×¥í¥È¥³¡¼¥ë¤ÎÍý²ò | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔¥°¥ë¡¼¥×¤ÇµÄÏÀ¤·¡¢µó¤²¤é¤ì¤¿¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤Î¤Ê¤«¤«¤é¡¢¤³¤Î¼Â½¬¤Ç¤â¤Á¤¤¤ë¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤ò·èÄꤹ¤ë¡£¡Ê30ʬ¡Ë ✔¥Ä¡¼¥ë¤Î¥×¥í¥È¥³¡¼¥ë¤òÍý²ò¤¹¤ë¡£¡Ê60ʬ¡Ë »ö¸å³Ø½¤ ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢¥×¥í¥È¥³¡¼¥ë¤òºÆ³Îǧ¤¹¤ë¡£¡Ê90ʬ¡Ë |
¡Ú8¡Û | ²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È ¡üÁªÂò¤·¤¿¥Ä¡¼¥ë¤Î¥Ç¥â¥ó¥¹¥È¥ì¡¼¥·¥ç¥ó1 | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔¥×¥í¥È¥³¡¼¥ë¤Ë¤·¤¿¤¬¤Ã¤Æ¡¢¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ò½ñÌ̤ǺîÀ®¤¹¤ë¡£¡Ê90ʬ¡Ë »ö¸å³Ø½¤ ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢¥×¥í¥È¥³¡¼¥ë¤Ë±è¤Ã¤¿¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢¥×¥í¥È¥³¡¼¥ë¤Ë±è¤Ã¤¿¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë |
¡Ú9¡Û | ²»³ÚÎÅË¡¥¢¥»¥¹¥á¥ó¥È ¡üBoxill & Chase, Current Issues in Music Therapy Assessment (p. 30) ¡üÁªÂò¤·¤¿¥Ä¡¼¥ë¥Ç¥â¥ó¥¹¥È¥ì¡¼¥·¥ç¥ó2 | ¹ÖµÁ¤È±é½¬ | »öÁ°³Ø½¤ ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢ºîÀ®¤·¤¿¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ò½¤Àµ¤¹¤ë¡£¡Ê90ʬ¡Ë »ö¸å³Ø½¤ ✔Boxill & Chase¤ÎÉü½¬¤ò¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢¥×¥í¥È¥³¡¼¥ë¤Ë±è¤Ã¤¿¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë |
¡Ú10¡Û | ¼Â½¬2: ²»³Ú»É·ã¤ò¤â¤Á¤¤¤¿¥¢¥»¥¹¥á¥ó¥È | ¼Â½¬ | »öÁ°³Ø½¤ ✔¼ø¶È¤ò¼õ¤±¤Æ¡¢¥×¥í¥È¥³¡¼¥ë¤Ë±è¤Ã¤¿¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê90ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¥Ó¥Ç¥ª¤â¸«¤Ê¤¬¤é¡¢¥¢¥»¥¹¥á¥ó¥È·ë²Ì¤ò²ò¼á¤¹¤ë¡Ê60ʬ¡Ë¡£ ✔¥¢¥»¥¹¥á¥ó¥ÈÍ×Ìó¤òºîÀ®¤¹¤ë¡£¡Ê90ʬ¡Ë |
¡Ú11¡Û | ¼Â½¬3: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#1 ¡üCBMT Board Certifications Domains ¶. Treatment Implementation and Termination A. Implementation 1. Develop a therapeutic relationship by: 2. Provide music therapy experiences to address client¡Çs: 3. Recognize how the following theatrical orientations inform music therapy practice: 4. Recognize how the following music therapy treatment approaches and models inform clinical practice: 5. To achieve therapeutic goals: | ¼Â½¬ | »öÁ°³Ø½¤ ✔º¸µ¤ÎCBMT Domains¤òÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë ✔¥´¡¼¥ë¤È¤Ê¤ë¥¨¥ê¥¢¤ò¹Í¤¨¤ë¡£¡Ê30ʬ ✔¥×¥í¥°¥é¥à¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤È¥Ç¡¼¥¿¥·¡¼¥È¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú12¡Û | ¼Â½¬4: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#2 ¡üCBMT Board Certifications Domains ¶. Treatment Implementation and Termination A. Implementation 5. To achieve therapeutic goals: | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤ÎCBMT Domains¤òÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú13¡Û | ¼Â½¬5: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#3 ¡üCBMT Board Certifications Domains ¶. Treatment Implementation and Termination B. Safety | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤ÎCBMT Domains¤òÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú14¡Û | ¼Â½¬6: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#4 ¡üCBMT Board Certifications Domains ¸. Professional Development and Responsibilities A. Professional Development B. Professional Responsibilities | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤ÎCBMT Domains¤òÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú15¡Û | ¼Â½¬7: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#5 ¡üCBMT Board Certifications Domains ·. Ongoing Documentation and Evaluation of Treatment A. Documentation B. Evaluation ¡ü·Ð²áÊó¹ð½ñ¤ÎºîÀ® | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤ÎCBMT Domains¤òÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ ✔·Ð²áÊó¹ð½ñ¤òºîÀ®¤¹¤ë¡£¡Ê90ʬ¡Ë |
ɾ²ÁÊýË¡ |
---|
1. ¼Â½¬¤È¼Â½¬»ØƳ¤«¤é½Ð¤µ¤ì¤ë²ÝÂê¡ÊPop Quiz´Þ¤à¡Ë: 15 points 2. ¼Â½¬»ØƳ¤Ë¤ª¤±¤ë¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤Ø¤ÎµÆþ¤È¥Ç¥â¥ó¥¹¥È¥ì¡¼¥·¥ç¥ó: 20 points 3. ¼Â½¬¤Ë¤ª¤±¤ë¥Á¥§¥Ã¥¯¥ê¥¹¥È¤Ë¤â¤È¤Å¤¤¤¿¥Ï¥í¡¼&¥°¥Ã¥Ð¥¤¥½¥ó¥°¤Î¥ê¡¼¥É: 10 points 4. ¼Â½¬: 55 points Ëè»þ¤Î¼Â½¬¤Î¥ê¥Ó¥å¡¼¡¢É¾²Á¤Ï¡¢¼Â½¬¸å¤Î¥ß¡¼¥·¥ó¥°¤Ç¤ª¤³¤Ê¤ï¤ì¤ë¡£ |
¶µ²Ê½ñ |
¡ü American Music Therapy Association. (2011). AMTA Code of Ethics. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2011). AMTA Professional Competencies. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2011). AMTA Standards of Clinical Practice. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2013). Definition of Evidence-Based Music Therapy Practice (EBMTP). Retrieved from www.musictherapy.org/research/strategic_priority_on _research/overview/?print=y. ¡ü Davis, W.B., Gfeller, K.E., and Thaut, M.H. (2015), (F, Kuribayashi Trans.). ²»³ÚÎÅË¡ÆþÌç ÍýÏÀ¤È¼ÂÁ©. ¡Ê3rd ed.¡Ë. Sapporo, Japan: Ichibaku Shuppansha Publishing. (Original work published 2008). ¡ü The Certification Board for Music Therapists. (2015). Board Certification Domains. Retrieved form www.cbmt.org/upload/CBMT_Board_Certification_Domains_2015.pdf. ¡ü Wheeler, B. L. (2015). Music Therapy Handbook. New York, NY: Guilford Publications. |
»²¹Í¿Þ½ñ |
¡ü Boxill, E. H. (2003). (Y, Hayashi and M, Inada Trans.). ȯã¾ã³²»ù¤Î¤¿¤á¤Î²»³ÚÎÅË¡. Tokyo, Japan: Ningentorekishisha. (Original work published 1985). ¡ü Boxill, E. H. and Chase, K. M. (2007). Music therapy for developmental disabilities. Austin, TX: Pro-Ed. ¡ü Chase, K. M. (2002). The music therapy assessment handbook. Columbus, MS: SouthernPen Publishing. ¡ü Jellison, J. A. (2000). A content analysis of music research with disabled children and youth (1975-1999): applications in special education. In American Music Therapy Association, Inc. (Ed). Effectiveness of music therapy procedures: documentation of research and clinical practice. (3rd ed.) (pp. 199-264). Silver Spring, MD: Author. ¡ü Wheeler, B. L., Shultis, C. L., & Polen, D. W. (2004). Clinical training guide for the student music therapist. Gilsum, NH: Barcelona Publishers. ¡ü Isenberg-Grzeda, C. (1988). Music Therapy Assessment: A reflection of professional identity. Journal of Music Therapy, 25(3), 159-169. |
È÷¹Í |
---|
¥ª¥Õ¥£¥¹¥¢¥ï¡¼: ·îÍËÆü3¥³¥Þ¡¢5715¤Ë¤Æ¼Â»Ü¡£ ¼Â̳·Ð¸³¤Ê¤·¡£²ÊÌܥʥó¥Ð¡¼: 5JMT316P |