ÆÁÅçʸÍýÂç³Ø | Web¥·¥é¥Ð¥¹¥·¥¹¥Æ¥à |
TOP | Ìá¤ë | |
ÆÁÅçʸÍýÂç³Øû´üÂç³ØÉô |
²ÊÌÜÈÖ¹æ | 14405 | ôÅö¶µ°÷̾ | °æ¼¡¡¹¬»Ò | ñ°Ì | 1ñ°Ì |
---|
²ÊÌÜ·² | ÀìÌç | ɬ½¤¡¦ÁªÂò | ÁªÂò | ³«¹Ö´ü | ¸å´ü | ÂоÝǯ¼¡ | 3ǯ |
---|
¼ø¶È³µÍ× |
---|
³Ø³°¤Î»ÜÀߤÇÃÎŪ¾ã¤¬¤¤¤äASD¤ò¤â¤ÄÊý¤òÂоݤˤ·¤¿¡¢¾¯¿Í¿ô¤Î¥°¥ë¡¼¥×¥»¥Ã¥·¥ç¥ó¤òÁ°´ü7²ó¤ª¤³¤Ê¤¦¡£¤Þ¤¿¡¢¼Â½¬¤Î¤¿¤á¤Î»öÁ°¡¦»ö¸å»ØƳ¤â´Þ¤à¡£2ǯ¼¡Æ±ÍÍ¡¢¡ÖAMTAÎ×¾²¼Â»Ü´ð½à¡ÊAMTA Standards of Clinical Practice¡Ë¡×¤Ë±è¤Ã¤Æ¡¢¥¯¥é¥¤¥¢¥ó¥È¤Î¼õ¤±Æþ¤ì¤«¤é¥»¥é¥Ô¡¼¤Î½ª·ë¤Þ¤Ç¤ò·Ð¸³¤¹¤ë¡£CBMT Board Certification Domains¤ËÌÀµ¤µ¤ì¤¿¡¢²»³ÚÎÅË¡»Î¤Î¼ÂÁ©¡Ê»Å»ö¡¢Ç½ÎϡˤˤĤ¤¤Æ¤âÍý²ò¤·¡¢¼ÂÁ©¤¹¤ë¡£²»³ÚÎÅË¡ÏÀÎ×¾²·¡¦¸¤Ç³Ø¤ó¤À¡¢¸¦µæ¡ÊResearch¡Ë¤È¥»¥ª¥ê¡¼¡ÊTheory¡Ë¤È¼ÂÁ©¡ÊClinical Practice¡Ë¤ò·ë¤Ó¤Ä¤±¡¢Best Practice¤òÄ󶡤Ǥ¤ë¤è¤¦ÅØÎϤ¹¤ë¡£¤Þ¤¿¡¢¥¢¥»¥¹¥á¥ó¥È¤Ë¤Ä¤¤¤Æ¿¼¤¯³Ø¤Ó¡¢¤Þ¤¿¥ê¥µ¡¼¥Á¤ò³èÍѤ·¡¢Evidence-Based Music Therapy Practice¡Ê²Ê³ØŪº¬µò¤Ë´ð¤Å¤¯²»³ÚÎÅË¡¼ÂÁ©¡Ë¤ò¿ë¹Ô¤Ç¤¤ë¤è¤¦ÅØÎϤ¹¤ë¡£ |
ÅþãÌÜɸ |
1. ¶µ°÷¤Î±ç½õ¤ò¼õ¤±¤Ê¤¬¤é¡¢ÃÎŪ¾ã¤¬¤¤¤äASD¤Ê¤É¤Î¾ã¤¬¤¤¤ò¤â¤ÄÀ®¿Í¤Î¥¯¥é¥¤¥¢¥ó¥È¤òÂоݤȤ·¤¿²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó¤ò¥ê¡¼¥É¤¹¤ë¡£¥í¡¼¥Ð¥Ã¥«¡¼Çî»Î¤Î¾§¤¨¤ë¡¢Moment-to-Moment¤Ë¥»¥é¥Ô¥¹¥È¤È¥¯¥é¥¤¥¢¥ó¥È¤Î¤ä¤ê¤È¤ê¤ò¤ª¤³¤Ê¤¦¡£¡Ô»×¹Í¡¦È½ÃÇ¡Õ¡Ôµ»Ç½¡¦É½¸½¡Õ 2. ¤Þ¤¿¡¢¤³¤Î¥»¥Ã¥·¥ç¥ó¤Î·Ð¸³¤ò¤È¤ª¤·¤Æ¡¢²»³ÚÎÅË¡¤Î´ðÈפȤʤ롢¼£ÎÅů³Ø¡¢¥¢¥×¥í¡¼¥Á¡¢¥á¥½¥Ã¥É¡¢¥Æ¥¯¥Ë¥Ã¥¯¤ò½¤ÆÀ¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ 3. AMTAÎ×¾²¼Â»Ü´ð½à¡ÊAMTA Standards of Clinical Practice¡Ë¤Ë¤·¤¿¤¬¤¤¡¢ÃÎŪ¾ã¤¬¤¤¤äASD¤ò¤â¤Ä¥¯¥é¥¤¥¢¥ó¥È¤Î¼õ¤±Æþ¤ì¡¢¥¢¥»¥¹¥á¥ó¥È¡¢¥×¥í¥°¥é¥à¥×¥é¥ó¡¢¼Â»Ü¡¢¥É¥¥å¥á¥ó¥Æ¡¼¥·¥ç¥ó¡¢½ª·ë¤Þ¤Ç¤Î³Æ¥¹¥Æ¥Ã¥×¤ò¿ë¹Ô¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ¡Ô»×¹Í¡¦È½ÃÇ¡Õ 4. CBMT Board Certification Domains¤Î³Æ¥¹¥Æ¥Ã¥×¤ËÌÀµ¤µ¤ì¤¿¡¢³ÆÃʳ¬¤ÇɬÍפȤµ¤ì¤ë²»³ÚÎÅË¡»Î¤Î¼ÂÁ©¡Ê»Å»ö¡¢Ç½ÎϡˤˤĤ¤¤ÆÍý²ò¤·¡¢¤½¤ÎǽÎϤ¬¿È¤Ë¤Ä¤¤¤¿¤«³Îǧ¤¹¤ë¡£ 5. ¥¢¥»¥¹¥á¥ó¥È¤Ë¤Ä¤¤¤ÆÃ챤ò¤â¤Á¡¢¤½¤Î½ÅÍ×À¤òÍý²ò¤¹¤ë¡£½ñÀÒ¡¢Ê¸¸¥¤ò¸¡º÷¤·¡¢´û¸¤Î¥¢¥»¥¹¥á¥ó¥È¥Ä¡¼¥ë¤Î¤Ê¤«¤«¤é¥¯¥é¥¤¥¢¥ó¥È¥°¥ë¡¼¥×¤ËºÇ¤âŬÀڤʤâ¤Î¤òÁªÂò¤·¡¢¥¢¥»¥¹¥á¥ó¥È¥»¥Ã¥·¥ç¥ó¤ò¼Â»Ü¤¹¤ë¡£¤½¤Î·ë²Ì¤«¤é¡¢¥´¡¼¥ë¤ÎÁªÄê¤ò¤ª¤³¤Ê¤Ã¤¿¤ê¡¢Pre&Post-Test¤È¤·¤Æ¸ú²Ì¤òÈæ³Ó¤·¤¿¤ê¤¹¤ë¡£¡ÔÃμ±¡¦Íý²ò¡Õ¡Ô»×¹Í¡¦È½ÃÇ¡Õ |
¼ø¶È·×²è | ¼ø¶È·ÁÂÖ | ¼ø¶È»þ´Ö³°³Ø½¬ | |
---|---|---|---|
¡Ú1¡Û | ¼Â½¬8: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#6 ¡üAMTA Professional Competencies C. Music Therapy 10. Foundations and Principles 11. Client Assessment 12. Treatment Planning | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú2¡Û | ¼Â½¬9: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#7 ¡üAMTA Professional Competencies C. Music Therapy 13. Therapy Implementation | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú3¡Û | ¼Â½¬10: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#8 ¡üAMTA Professional Competencies A. Music Foundations 1. Music Theory and History 2. Composition and Arranging Skills 3. Major Performance Medium Skills | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú4¡Û | ¼Â½¬11: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#9 ¡üAMTA Professional Competencies A. Music Foundations 4. Functional Music Skills 5. Conducting Skills 6. Movement Skills | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú5¡Û | ¼Â½¬12: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#10 ¡üAMTA Professional Competencies C. Music Therapy 11. Therapy Evaluation 12. Documentation | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú6¡Û | ¼Â½¬13: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#11 ¡üAMTA Professional Competencies B. Clinical Foundations 7. Therapeutic Applications 8. Therapeutic Principles 9. Therapeutic Relationship | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú7¡Û | ¼Â½¬14: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#12 ¡üAMTA Professional Competencies C. Music Therapy 18. Interprofessional Collaboration 19. supervision and Administration 20. Research Methods | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê20ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ |
¡Ú8¡Û | ¼Â½¬15: ²»³ÚÎÅË¡¥»¥Ã¥·¥ç¥ó#13 ¡üAMTA Professional Competencies C. Music Therapy 16. Termination/Discharge Planning ¡üCBMT Board Certifications Domains ¶. Treatment Implementation and Termination C. Termination and Closure ¡ü½ªÎ»Êó¹ð½ñ¤ÎºîÀ®¡¢Äó½Ð | ¼Â½¬ | »öÁ°³Ø½¤ ✔¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤òºîÀ®¤¹¤ë¡£¡Ê60ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¸Ä¿Í¤Ç¤¹¤ë¡£¡Ê45ʬ¡Ë ✔¥»¥Ã¥·¥ç¥ó¤ÎÎý½¬¤ò¥°¥ë¡¼¥×¤Ç¤¹¤ë¡£¡Ê60ʬ¡Ë ✔º¸µ¤Î¥É¥¥å¥á¥ó¥È¹àÌܤòÍý²ò¤¹¤ë¡£¡Ê30ʬ¡Ë »ö¸å³Ø½¤ ✔¥Ç¡¼¥¿¥·¡¼¥È¤ËµÆþ¤¹¤ë¡£¡Ê15ʬ¡Ë ✔¶µ°÷¤Î¥¢¥É¥Ð¥¤¥¹¤ò¼õ¤±¡¢¥Ó¥Ç¥ª¤ò¸«¤ÆÍý²ò¤·¡¢Îý½¬¤¹¤ë¡Ê60ʬ¡Ë¡£ ✔½ªÎ»Êó¹ð½ñ¤òºîÀ®¤·¡¢¶µ°÷¤ò¤Ä¤¦¤¸¤Æ»ÜÀߤËÄó½Ð¤¹¤ë¡£¡Ê90ʬ¡Ë |
ɾ²ÁÊýË¡ |
---|
1. ¼Â½¬¤È¼Â½¬»ØƳ¤«¤é½Ð¤µ¤ì¤ë²ÝÂê¡ÊPop Quiz´Þ¤à¡Ë: 15 points 2. ¼Â½¬»ØƳ¤Ë¤ª¤±¤ë¥»¥Ã¥·¥ç¥ó¥×¥é¥ó¤Ø¤ÎµÆþ¤È¥Ç¥â¥ó¥¹¥È¥ì¡¼¥·¥ç¥ó: 20 points 3. ¼Â½¬¤Ë¤ª¤±¤ë¥Á¥§¥Ã¥¯¥ê¥¹¥È¤Ë¤â¤È¤Å¤¤¤¿¥Ï¥í¡¼&¥°¥Ã¥Ð¥¤¥½¥ó¥°¤Î¥ê¡¼¥É: 10 points 4. ¼Â½¬: 55 points |
¶µ²Ê½ñ |
¡ü American Music Therapy Association. (2011). AMTA Code of Ethics. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2011). AMTA Professional Competencies. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2011). AMTA Standards of Clinical Practice. Silver Springs, MD: Author. ¡ü American Music Therapy Association. (2013). Definition of Evidence-Based Music Therapy Practice (EBMTP). Retrieved from www.musictherapy.org/research/strategic_priority_on _research/overview/?print=y. ¡ü Davis, W.B., Gfeller, K.E., and Thaut, M.H. (2015), (F, Kuribayashi Trans.). ²»³ÚÎÅË¡ÆþÌç ÍýÏÀ¤È¼ÂÁ©. ¡Ê3rd ed.¡Ë. Sapporo, Japan: Ichibaku Shuppansha Publishing. (Original work published 2008). ¡ü The Certification Board for Music Therapists. (2015). Board Certification Domains. Retrieved form www.cbmt.org/upload/CBMT_Board_Certification_Domains_2015.pdf. ¡ü Wheeler, B. L. (2015). Music Therapy Handbook. New York, NY: Guilford Publications. |
»²¹Í¿Þ½ñ |
¡ü Boxill, E. H. (2003). (Y, Hayashi and M, Inada Trans.). ȯã¾ã³²»ù¤Î¤¿¤á¤Î²»³ÚÎÅË¡. Tokyo, Japan: Ningentorekishisha. (Original work published 1985). ¡ü Boxill, E. H. and Chase, K. M. (2007). Music therapy for developmental disabilities. Austin, TX: Pro-Ed. ¡ü Chase, K. M. (2002). The music therapy assessment handbook. Columbus, MS: SouthernPen Publishing. ¡ü Jellison, J. A. (2000). A content analysis of music research with disabled children and youth (1975-1999): applications in special education. In American Music Therapy Association, Inc. (Ed). Effectiveness of music therapy procedures: documentation of research and clinical practice. (3rd ed.) (pp. 199-264). Silver Spring, MD: Author. ¡ü Wheeler, B. L., Shultis, C. L., & Polen, D. W. (2004). Clinical training guide for the student music therapist. Gilsum, NH: Barcelona Publishers. ¡ü Isenberg-Grzeda, C. (1988). Music Therapy Assessment: A reflection of professional identity. Journal of Music Therapy, 25(3), 159-169. |
È÷¹Í |
---|
¥ª¥Õ¥£¥¹¥¢¥ï¡¼: ·îÍËÆü5¥³¥Þ¡¢5715¤Ë¤Æ¼Â»Ü¡£ ¼Â̳·Ð¸³¤Ê¤·¡£ |